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Current Postgraduates
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Jennifer Albertson
A Singular Voice: Narrative Prose Writing in the Second
Person
Supervisor: A/Prof Brenda Walker
My research relates directly to my novel, 'in two minds', a narrative
of false beliefs written in the second person singular voice.
jengayal@westnet.com.au
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Carol Anderson
On the Contrary: Women Travellers Writing Counter-Narratives
in the Nineteenth Century
Supervisor: A/Prof Judith Johnston
In the nineteenth century the majority of women travellers
shaped their narratives to express the invigorating spirit of
adventure or sense of escape that overseas travel provided. My
research concerns the women who reacted in an unconventional
manner to the experience of travel.
anderc05@student.uwa.edu.au
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Justin Beckett
From Scripture to Screen: A study of the tension between biblical
fidelity and commercial appeal in film representations of Jesus
Christ for mainstream cinema.
Supervisor: Dr Steve Chinna
beckettj@ststephens.wa.edu.au
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Stephen Dedman
The Weapon Shop: American Science Fiction and the U.S.
Military
Supervisor: A/Prof Van Ikin
I am looking for information on American science fiction
writers who have served in the U.S. military (particularly in
research or think-tanks), or who have refused to do so. I am
also looking for examples of military terminology borrowed from
science fiction, and military uses of sf tropes in recruitment.
dedmans@iinet.net.au
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Anna Donald Metaphor and the Layering of Narrative
Supervisor:
A/Prof Van Ikin
The creative piece is a novel, Tenants, set in the West
Kimberley region of Western Australia: specifically the early
pearling settlement in Roebuck Bay. The narrative covers a period
from 1870 to 1942 and is in four sections; each section taking up
the story of the descendents of those in previous sections. I
have attempted to develop layers of narrative in my work by the
use of the imagery of the pearl and the
landscape. Landscape and Nature are elemental forces in the narrative
The
thesis, "Metaphor
as a Means of Layering Narrative"
discusses
- the place of metaphor in language, its role as an "inner
language"
that even young children have access to.
- deeper layers of metaphor in the narratives of both Patrick White
and Randolph Stow.
- symbolic imagery in art from prehistory through to the works of
Australian painters such as Drysdale and
Nolan. This includes a discussion of the artists who influenced the work
of Patrick White.
anna.donald7@bigpond.com
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Anthony Eaton
Close to the Edge: Directions in Australian Young Adult
Fiction
Supervisor: A/Prof Van Ikin
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Tristan Fidler
Come Into My World: Music Video Auteurs and the Directors Label
Supervisors: A/Prof Ian Saunders
and A/Prof Gail Jones
My thesis is applying auteur theory to the Directors Label series of DVDs, which represent the art of music video by focusing on their directors: the first volumes of the series looked at Spike Jonze, Chris Cunningham and Michel Gondry. I am analysing both the DVDs and the collected music videos of each director in an effort to reconcile the auteurist idea of personal expression, established through theme and style, within a commercial medium that is based on promoting the musical performer/s and their featured song.
fidlet01@student.uwa.edu.au
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Lynette Field Investigating Empire: Imperialism and the Detective Fiction of Dorothy L Sayers and PD James
Supervisor: Dr Brenda Walker I am interested in the conjunction of imperialism and detective fiction
in the work of Dorothy L Sayers and P D James. My other research
interests include feminist theory, popular culture, film and Australian
literature.
lfield@cyllene.uwa.edu.au
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Warren Flynn An Investigation of Space (architectural, body, spiritual) in Contemporary Cross-Cultural Fiction Supervisor: A/Prof Van Ikin I am considering how authors who straddle cultures - Jhumpa Lahiri, Haruki Murakami, Chang-rae Lee, Dianne Highbridge, Kim Scott, etc - depict spatial relationships in their work.
wgmn@iinet.net.au
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Stacey Fox Writing the Unstable Self: Madness, Modernism and Femininity in the Writing of Dorothy Richardson, Leonora Carrington, Jean Rhys and Anais Nin
Supervisor: Dr Tanya Dalziell
In addition to the issues of modernism and subjectivity explored in my thesis, I am interested in Australian� literature and culture, postmodernism, critical theory and contemporary literature.
foxs02@student.uwa.edu.au
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Marina Gerzic
"Whither wilt thou lead me?" Intertextual Reference and
Music as Signifier in Shakespeare in Film
Supervisor: Prof Bob White
My research interests are: film, Shakespeare, creative writing,
cultural studies and music in film.
gerzim01@student.uwa.edu.au
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Karen Hall Discovering the Lost Race Story: Writing Science Fiction, Writing History Supervisors: Dr Chantal Bourgault and A/Prof Judith Johnston
My thesis explores the formation and negotiations of the boundaries of genre through the focal point of the lost race story, as well as themes of space, memory, gender and imperialism. In addition to my thesis work, my interests include feminist and literary theory, medievalism, fan subcultures and popular culture. karenh@cyllene.uwa.edu.au
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Brett Hirsch Human Difference in Early Modern England Supervisor: Prof Chris Wortham
My research is on early modern English literature and culture, especially the drama of Shakespeare and his contemporaries. I am particularly interested in representations of medicine, science and the body; religion, mysticism, and the occult; new historicism and cultural materialism; and broader issues in critical bibliography and textual scholarship
bdhirsch@cyllene.uwa.edu.au |
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Tony Hunt
The Fragment and the Whole: Investigating the Buried Life of
Matthew Arnold
Supervisor: A/Prof Daniel Brown
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Alison Jaquet
Detection and the Domestic: Discursive Practices in the
Writing of Ellen Wood
Supervisor: A/Prof Judith Johnston
My specific research interests are in nineteenth-century
British literature and culture. I am particularly interested in
Victorian sensation and detective fiction.
jaquea01@student.uwa.edu.au
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Natalia Lizama Extra-corporealities: The Resurrected Body in Medicine and Science Supervisor: Dr Tanya Dalziell
My current research involves an analysis of representations of the body in medicine and science, from a cultural studies perspective. In my doctoral thesis, I examine a range of different texts, including the Visible Human Project, the BodyWorlds exhibition of human bodies, medical diagnostic imaging technologies, and the Human Genome Project. natalia@cyllene.uwa.edu.au
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Caitlin McGuinness
Secret Passages: Hidden Subjects and their Means of Escape in
Contemporary Fiction from Northern Ireland
Supervisor: A/Prof Andrew Lynch
My research interests include contemporary Irish and British
Literature, postcolonial literature and literary theory and
tracing connections between Victorian and contemporary
literature.
caitlinf@cyllene.uwa.edu.au
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Nick Mercer
The Cinematic Cyborg: Theorising Postmodern Subjectivity
through the intersection of Body, Brain and Thought in film and
digital media
Supervisor: A/Prof Ian Saunders
Research Interests: philosophy of cinema; film and media
theory; postmodern theory; marxist theory and subcultural
studies.
nmercer@cyllene.uwa.edu.au
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David Nel Title to be advised (Jeanette Winterson) Supervisors: A/Prof Andrew Lynch and A/Prof Gail Jones
I'm interested in literary representations of subjectivity, particularly in high modernist and postmodern British fiction. Other interests include: literary theory, narrative theory, feminism, literature and science fiction.
neld01@student.uwa.edu.au |
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Adam Nicol
Satellite Societies: Romanticism's Science of Place
Supervisor: A/Prof Judith Johnston
My thesis looks at provincial intellectual communities throughout England from 1760 to 1860 -- scientific, political and poetical -- and the heritage of Romanticism in exploration and Natural History. I'm particularly interested in the work of Philip Henry Gosse, Erasmus Darwin and Wordsworth/Coleridge.
nicola01@student.uwa.edu.au
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Meriel Owen Griffiths The Construction of Cultural Identity in
Contemporary English-language Welsh Poetry
Supervisors: Prof Dennis Haskell and Prof Gareth Griffiths
My research focuses on four main areas in contemporary
English-language Welsh poetry: language, the sense of place,
the past and nationality/nationhood. The enquiry into cultural
identity has been at the core of Welsh poetry in English
throughout the twentieth century and recent poetry reflects the
complexities of defining cultural identity in a multicultural
and globalised environment.
owengh01@student.uwa.edu.au
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Leonardo Penazzi
The Fellow
Supervisor: A/Prof Van Ikin
My research interests include the creative aspects of fiction
writing, and the role that history plays in fiction. I believe
that history is a vital context to understanding novels of
earlier eras.
penazl01@student.uwa.edu.au
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Marcella Polain
The Third Collision: the Armenian Genocide and after
Supervisor: Prof Dennis Haskell
My research interests include: the transgenerational 'affects'
of genocide; artistic practice among third generation
survivors, paricularly of the Armenian Genocide; contemporary
(particularly new and emerging) Australian poetry; contemporary
Australian drama; and the image in poetry and cinema.
m.polain@ecu.edu.au
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Sophie Sunderland
Post-secular nation: The rise of the spiritual and sacred in Australian and Canadian (secular) sociopolitical and cultural contexts.
Supervisor: A/Prof Gail Jones
My thesis is an analysis of the ways in which the secular, spiritual and sacred are linked to anxieties about whiteness and multiculturalism, in the context of increased attention to religion, Judeo-Christian ethics and 'core values' in Australia's political sphere. My general research interests include Australian film, psychoanalytic and poststructuralist theory, secularism, self-help literature, multiculturalism and whiteness studies.
sundes01@student.uwa.edu.au
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Helen Trenos Creativity and the Actor Supervisor: Dr Steve Chinna
I will investigate the creativity of the actor in two distinct phases: the rehearsal and the performance. It is anticipated that this research will not only re-inform actor training, but provide new insights into the existing body of creativity research.
htrenos@bigpond.net.au
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Michael Woodcock
Cultural Negotiations of Masculinity in the Works of William
Shakespeare from Script to Film
Supervisors: Prof Chris Wortham and Prof Bob White
I am interested in the way masculinity is represented in the
plays of William Shakespeare. This has particular ramifications
for the reinterpretation of the roles of men and women in the
Medieval and Early Modern period in England.
browo@cygnus.uwa.edu.au
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